Various: My Audiophile Companion - For Clasical Music and Jazz Lovers verze na CD v standardní edici. Toto konkrétní vydání vyšlo v Německu ve vydavatelství TACET dne 8. září 2006. Album zasahuje do žánrů Klasická hudba a Jazz.
1 | No Artist: Conversation Between Two Neighbours | 0:19 min | |
2 | No Artist: White Noise, Mono, In Phase | 0:21 min | |
3 | No Artist: White Noise, Mono, Out of Phase | 0:22 min | |
4 | Ulrike Theresia Wegele: Toccata In A, In Phase | 0:44 min | |
Composed By Johann Ludwig Krebs | |||
5 | Ulrike Theresia Wegele: Toccata In A, Out Of Phase | 0:46 min | |
Composed By Johann Ludwig Krebs | |||
6 | Georg Rox Trio, Martin Classen: I Got Rhytm, Correct Phase | 0:48 min | |
Saxophone Martin Classen | |||
7 | Georg Rox Trio, Martin Classen: I Got Rhytm, Reversed Phase | 0:49 min | |
8 | Junge Süddeutsche Philharmonie Esslingen: The Planets: Mars, The Bringer Of War (Live) | 2:28 min | |
Composed By Gustav Holst | Conductor Bernhard Güller | |||
9 | Sächsisches Kammerorchester Leipzig: Symphony In G, K. 183: I. Allegro Con Brio, Sound Unaltered | 0:52 min | |
Composed By Wolfgang Amadeus Mozart | Conductor Johannes Moesus | |||
10 | Sächsisches Kammerorchester Leipzig: Symphony In G, K. 183: I. Allegro Con Brio, Mono, Only Left | 0:51 min | |
Composed By Wolfgang Amadeus Mozart | Conductor Johannes Moesus | |||
11 | Sächsisches Kammerorchester Leipzig: Symphony in G, K. 183: I. Allegro con brio, Mono, Only Right | 0:52 min | |
Composed By Wolfgang Amadeus Mozart | Conductor Johannes Moesus | |||
12 | Scot Weir, Till Alexander Körber: Und wüssten's die Blumen, die kleinen, from Poet's Love, Op. 48 | 1:20 min | |
Composed By Richard Schumann | Piano Till Alexander Körber | Tenor Vocals Scot Weir | |||
13 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Original | 0:51 min | |
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
14 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 100 Hz +9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
15 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 100 Hz -9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
16 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 200 Hz +9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
17 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 200 Hz -9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
18 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 400 Hz +9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
19 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 400 Hz - 9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
20 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 900 Hz +9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
21 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 900 Hz -9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
22 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 2.4 kHz +9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
23 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 2.4 kHz -9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
24 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 3.6 kHz +9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
25 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 3.6 kHz -9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
26 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 6 kHz +9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
27 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 6 kHz -9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
28 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 8 kHz +9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
29 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 8 kHz -9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
30 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 10 kHz +9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
31 | Alt-Wiener Strauss-Ensemble: Egyptian March, Op. 335, Changes: 10 kHz -9 dB | ||
Composed By Johann Strauss Jr. | Conductor Arthur Kulling | |||
32 | No Artist: Clash of Cymbals, Offset 0 frames | ||
33 | No Artist: Clash of Cymbals, Offset 2 frames | ||
34 | No Artist: Clash of Cymbals, Offset 5 frames | ||
35 | Günther Hertzfield, Hartmut Lindemann: Beau Soir, from the five songs based on lyrics by Bourget | ||
Composed By Claude Debussy | Piano Günther Hertzfield | Viola Hartmut Lindemann | |||
36 | Camas Quintet: Allegro con brio, from Three Shanties for Wind Quintet, XY technique | ||
Composed By Malcolm Arnold | |||
37 | Camas Quintet: Allegro con brio, from Three Shanties for Wind Quintet, AB technique | ||
Composed By Malcolm Arnold | |||
38 | Camas Quintet: Allegro con brio, from Three Shanties for Wind Quintet, MS technique | ||
Composed By Malcolm Arnold | |||
39 | Duo Favori: Sonata for Two Guitars: III. Allegro, Digital (DDD) | ||
Composed By Christian Gottlieb Scheidler | |||
40 | Duo Favori: Sonata for Two Guitars: III. Allegro, Analog (AAD) | ||
Composed By Christian Gottlieb Scheidler | |||
41 | Gerrit Zitterbart: Sonata in A, K310: III. Presto, Direct to CD | ||
Composed By Wolfgang Amadeus Mozart | Piano Gerrit Zitterbart | |||
42 | Gerrit Zitterbart: Sonata in A, K310: III. Presto, via LP to CD | ||
Piano Gerrit Zitterbart | |||
43 | Martin Classen: Like Someone in Love, Saxophone played into open grand piano | ||
Saxophone Martin Classen | |||
44 | Auryn Quartett: String Quartet in B Flat, Op.130: Alla danza tedesca. Allegro assai, Left: Valve; Right: Transistor | ||
Composed By Ludwig van Beethoven | |||
45 | Duo Favori: Danza Triste, From 12 Danzas Espanolas, 20m Microphone Cable Two Connections Per Channel | ||
Composed By Enrique Granados | |||
46 | Duo Favori: Danza triste, from 12 Danzas Espanolas, 160m Microphone cable 11 connections per channel | ||
Composed By Enrique Granados | |||
47 | No Artist: Slow Half-Sine Wave on the left channel, Alternately positive and negative | ||
48 | No Artist: Sawtooth Wave, Alternately left positive/right negative and left negative/right positive | ||
49 | Georg Rox Trio, Martin Classen: Have You Met Miss Jones, Original | ||
50 | Georg Rox Trio, Martin Classen: Have You Met Miss Jones, Absolute Phase | ||
51 | No Artist: Protective Noise; It is about to get loud! | ||
52 | No Artist: LOUD! Sine Wave 1 kHz, 0 dB, 24 bit > 16 bit Dither | ||
53 | No Artist: LOUD! Sine Wave 1 kHz, 0 dB, 24 bit > 16 bit Truncation | ||
54 | No Artist: LOUD! Sine Wave 1 kHz, 0 dB, 24 bit > 16 bit SBM | ||
55 | No Artist: LOUD! Sine Wave 1 kHz, 0 dB, 16 bit | ||
56 | No Artist: Sine Wave 1 kHz, -55 dB, 24 bit > 16 bit Dither | ||
57 | No Artist: Sine Wave 1 kHz, -55 dB, 24 bit > 16 bit Truncation | ||
58 | No Artist: Sine Wave 1 kHz, -55 dB, 24 bit > 16 bit SBM | ||
59 | No Artist: Sine Wave 1 kHz, -55 dB, 16 bit | ||
60 | No Artist: Sine Wave 1 kHz, -75 dB, 24 bit > 16 bit Dither | ||
61 | No Artist: Sine Wave 1 Khz, -75 Db, 24 Bit > 16 Bit Truncation | ||
62 | No Artist: Sine Wave 1 kHz, -75 dB, 24 bit > 16 bit SBM | ||
63 | No Artist: Sine Wave 1 kHz, -75 dB, 16 bit | ||
64 | No Artist: Sine Wave 30 Hz, -60 dB, 24 bit > 16 bit Dither | ||
65 | No Artist: Sine Wave 30 Hz -60 dB, 24 bit > 16 bit Truncation | ||
66 | No Artist: Sine Wave 30 Hz -60 dB, 24 bit > 16 bit SBM | ||
67 | No Artist: Sine Wave 30 Hz -60 dB, 16 bit | ||
68 | No Artist: Hiss from Console output, 24 bit > 16 bit Dither | ||
69 | No Artist: Hiss from Console output, 24 bit > 16 bit Truncation | ||
70 | No Artist: Hiss from Console output, 24 bit > 16 bit SBM | ||
71 | No Artist: Hiss from Console output, 16 bit | ||
72 | No Artist: Protective Noise; It is about to get loud again! | ||
73 | No Artist: LOUD! Glockenspiel 0 dB, 24 bit > 16 bit Dither | ||
74 | No Artist: LOUD! Glockenspiel 0 dB, 24 bit > 16 bit Truncation | ||
75 | No Artist: LOUD! Glockenspiel 0 dB, 24 bit > 16 bit SBM | ||
76 | No Artist: Glockenspiel -40 dB, 24 bit > 16 bit Dither | ||
77 | No Artist: Glockenspiel -40 dB, 24 bit > 16 bit Truncation | ||
78 | Glockenspiel -40 dB, 24 bit > 16 bit Truncation | ||
79 | No Artist: Glockenspiel -40 dB, 24 bit > 16 bit SBM | ||
80 | No Artist: Glockenspiel -40 dB, 16 bit | ||
81 | Trio Opus 8: Piano Trio in A minor, Op. 50: Variazione finale, -45 dB, 24 bit > 16 bit Dither | ||
Composed By Pyotr Ilyich Tchaikovsky | |||
82 | Trio Opus 8: Piano Trio in A minor, Op. 50: Variazione finale, -45 dB, 24 bit > 16 bit Truncation | ||
Composed By Pyotr Ilyich Tchaikovsky | |||
83 | Trio Opus 8: Piano Trio in A minor, Op. 50: Variazione finale, -45 dB, 24 bit > 16 bit SBM | ||
Composed By Pyotr Ilyich Tchaikovsky | |||
84 | Trio Opus 8: Piano Trio in A minor, Op. 50: Variazione finale, -45 dB, 16 bit | ||
Composed By Pyotr Ilyich Tchaikovsky | |||
85 | Protective Noise; It is about to get loud again! | ||
86 | Trio Opus 8: LOUD! Piano Trio in A minor, Op. 50: Variazione finale, Normal volume | ||
Composed By Pyotr Ilyich Tchaikovsky | |||
87 | Martin Classen, Georg Rox: My Funny Valentine | ||
Piano Georg Rox | Saxophone Martin Classen |
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